home *** CD-ROM | disk | FTP | other *** search
- <text id=93TT2470>
- <title>
- Feb. 08, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 08, 1993 Cyberpunk
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 83
- Short Takes
- </hdr>
- <body>
- <p>TELEVISION
- </p>
- <p> Sarah, Plain And Simple
- </p>
- <p> It is a pleasure to meet up again with the Wittings, the
- warm, turn-of-the-century farm family introduced in Sarah, Plain
- and Tall, the Hallmark Hall of Fame 1991 hit. In SKYLARK (Feb.
- 7, CBS), the mail-order marriage of Sarah (Glenn Close) and
- Jacob (Christopher Walken) has turned into a tender love match,
- and Sarah's stepchildren are thriving. The problem is nature:
- a serious drought is threatening life on the Kansas plains. In
- Sarah, Jacob was the one who had to put his past in
- perspective; this time, the drought forces his wife to take a
- similar journey. Unfortunately, the trip is uneventful. As
- agreeable as it is, this visit seems less a sequel than an
- installment. If only one could tune in again next week for
- another, perhaps more dramatic, episode.
- </p>
- <p> MUSIC
- </p>
- <p> Still Unabashed
- </p>
- <p> Does anynody remember John La Montaine? In 1959 he won the
- Pulitzer Prize for his Piano Concerto, Op. 9, and went on to a
- career as an unabashed writer of down-to-earth tonal music. Now
- the composer, 72, has issued several works on the Fredonia
- Discs label (3947 Fredonia Drive, Hollywood, California 90068)
- that ought to trigger a reappraisal. Wilderness Journal, a
- symphony for bass-baritone (the late Donald Gramm), organ and
- orchestra (the National Symphony), on texts by Thoreau, surges
- and soars, while The Nine Lessons of Christmas lyrically
- transcends its seasonal origins. And La Montaine the virtuoso
- is represented by an engaging reading of Bach's Well-Tempered
- Clavier, Book 2--on the electronic keyboard, no less.
- </p>
- <p> BOOKS
- </p>
- <p> Scruple Test
- </p>
- <p> The genteel old lady explains it all in the early pages of
- FRAUD, Anita Brookner's new novel (Random House; $21). "She
- loves me, but I've taken away her life," she says of her
- daughter. "She will want to put me behind her, as I should have
- let her do years ago." Years ago and books ago. Brookner has
- built a reputation as Britain's foremost novelist of
- sensibility. Her books are true to their subjects and
- scrupulously written. But there comes a time when rebellion
- flares in the reader, who knows by now that it will take the
- daughter the entire narrative to escape. Her course will be
- unmarked by episode, and like many other Brookner creatures, she
- will not be pushed by the need for money. Fraud is less a novel
- than an examination of literary conscience.
- </p>
- <p> THEATER
- </p>
- <p> A Death in The Family
- </p>
- <p> A woman kills herself. Her daughter is attacked, twice, on
- the same lonely ridge. And, in THE YEARS, a middle-class family
- soldiers on. For her play, which covers 16 years of muffled
- torments, Cindy Lou Johnson borrows from Chekhov (Three
- Sisters), Philip Barry (Holiday) and Beth Henley (Crimes of the
- Heart). But she has learned little from any of them about
- building comedy or character. Though this off-Broadway
- production, handsomely designed by Loren Sherman, boasts two
- movie-marquee names--bossy Marcia Gay Harden, frazzled Julie
- Hagerty--it is Frank Whaley (the kid at the diner in Hoffa)
- who carries the burden of the play and almost makes it soar. He
- masks an artist's passion in beguiling nonchalance.
- </p>
- <p> CINEMA
- </p>
- <p> Edible Complex
- </p>
- <p> Blame it all on the Sumatran rat monkeys. They were bred,
- the zookeeper says, when "these great big rats come scurryin'
- off the slave ships and raped all the little tree monkeys." Now
- one has bitten a New Zealand matron. And her infection will
- unearth a plague of zombies. It's not enough to say that DEAD
- ALIVE is the season's best cannibal movie--and has the best
- dialogue ("Your mother ate my dog!"). Peter Jackson's
- travesty-tragedy is also a profound meditation on mother love
- and child abuse. O.K., forget profound. But there is good, broad
- humor amid the very gross gore effects. And when the Living
- Impaired stalk our hero's home, it's a family reunion out of
- your bloodiest nightmares.
- </p>
-
- </body>
- </article>
- </text>
-
-